<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Portfolio on Clara Fee</title>
    <link>https://clarafee.com/portfolio/</link>
    <description>Recent content in Portfolio on Clara Fee</description>
    <image>
      <title>Clara Fee</title>
      <url>https://clarafee.com/images/clara_fee_headshot.jpg</url>
      <link>https://clarafee.com/images/clara_fee_headshot.jpg</link>
    </image>
    <generator>Hugo -- 0.164.0</generator>
    <language>en-us</language>
    <copyright>2025 Clara Fee</copyright>
    <lastBuildDate>Mon, 20 Apr 2026 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://clarafee.com/portfolio/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Artists Boxes (short film)</title>
      <link>https://clarafee.com/portfolio/portfolio/artists-boxes-short-film/</link>
      <pubDate>Mon, 20 Apr 2026 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/artists-boxes-short-film/</guid>
      <description>&lt;h2 id=&#34;artists-statement&#34;&gt;Artist&amp;rsquo;s Statement&lt;/h2&gt;
&lt;p&gt;Film is the only medium that can capture the processual dimension of textile art. A photograph embalms an instant; a film makes it live, because it introduces duration. &lt;em&gt;Artists Boxes&lt;/em&gt; is built on that premise.&lt;/p&gt;
&lt;p&gt;I filmed several people I know who work with textiles — some self-identified artists, some who just mend a bag or pick up a needle occasionally. I showed none of their finished works, only the making: hands moving, thread pulled taut, the sound of a stitch. Drawing on Bolivian textile artist Elvira Espejo Ayca&amp;rsquo;s argument that the process is not merely part of the work but &lt;em&gt;is&lt;/em&gt; the work, I wanted the film to honor what happens before the object exists.&lt;/p&gt;</description>
    </item>
    <item>
      <title>WHRC Music Column at The Bi-College News</title>
      <link>https://clarafee.com/portfolio/portfolio/whrc-music-column-at-the-bi-college-news/</link>
      <pubDate>Mon, 23 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/whrc-music-column-at-the-bi-college-news/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;A music column I started in early 2026 for &lt;a href=&#34;https://bicollegenews.com/&#34;&gt;The Bi-College News&lt;/a&gt; as an extension of my work at WHRC Radio, with the aim of building cross-organizational ties between the station and the campus press. The column covers live concerts, album reviews, and music news — focused on the Philadelphia indie and experimental music scene.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Published pieces:&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&#34;https://bicollegenews.com/2026/03/23/sparseness-depth-ear-at-the-warehouse-on-watts-and-juliana-barwick-mary-lattimore-at-the-first-unitarian-church/&#34;&gt;Sparseness &amp;amp; Depth&lt;/a&gt;&lt;/strong&gt; (March 23, 2026) — Reviews two Philadelphia concerts: electronic duo ear at the Warehouse on Watts, and Juliana Barwick &amp;amp; Mary Lattimore performing &lt;em&gt;Tragic Magic&lt;/em&gt; at the First Unitarian Church. Explores their shared aesthetic philosophy of achieving maximum effect through minimum means.&lt;/p&gt;</description>
    </item>
    <item>
      <title>AI in Higher Education: Utility, Limits, and Student Attitudes</title>
      <link>https://clarafee.com/portfolio/portfolio/ai-in-higher-education-utility-limits-and-student-attitudes/</link>
      <pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/ai-in-higher-education-utility-limits-and-student-attitudes/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;A research report investigating generative AI tool use in undergraduate liberal arts education, focused on Bryn Mawr and Haverford Colleges. Co-authored with Emily Lu, Emma Yu, and Olivia Boyer under the supervision of Deepak Kumar, with support from NSF Awards 2023505 and 2336929.&lt;/p&gt;
&lt;p&gt;The report covers three areas of investigation:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;strong&gt;AI-assisted coding tools&lt;/strong&gt; — experimented with GitHub Copilot and LLM-generated single-use applications, finding that code completion tools are unsuitable for introductory CS courses (they autocomplete full implementations of basic assignments) but potentially useful in software engineering contexts&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;AI tools for education&lt;/strong&gt; — evaluated Google NotebookLM across six courses, finding it most useful for concept synthesis and citation work in seminar writing, and least useful for mathematical reasoning or deep close reading&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Student attitudes survey&lt;/strong&gt; — administered an IRB-approved survey to 228 Bi-Co students, finding a near-even split between users and non-users, with significant differences by school, discipline, and reasoning&lt;/li&gt;
&lt;/ol&gt;
&lt;h2 id=&#34;timeline-and-scope&#34;&gt;Timeline and scope&lt;/h2&gt;
&lt;p&gt;Academic year 2025–2026. Research assistantship under Deepak Kumar at Bryn Mawr College.&lt;/p&gt;</description>
    </item>
    <item>
      <title>El sonido y la autoría en la «trilogía Salta» de Lucrecia Martel</title>
      <link>https://clarafee.com/portfolio/portfolio/el-sonido-y-la-autor%C3%ADa-en-la-trilog%C3%ADa-salta-de-lucrecia-martel/</link>
      <pubDate>Tue, 02 Dec 2025 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/el-sonido-y-la-autor%C3%ADa-en-la-trilog%C3%ADa-salta-de-lucrecia-martel/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;A senior seminar research paper in Spanish arguing that Lucrecia Martel&amp;rsquo;s &amp;ldquo;Salta trilogy&amp;rdquo; — &lt;em&gt;La ciénaga&lt;/em&gt; (2001), &lt;em&gt;La niña santa&lt;/em&gt; (2004), and &lt;em&gt;La mujer sin cabeza&lt;/em&gt; (2008) — expands auteur theory through sonic and haptic authority rather than visual control. Drawing on Jennifer Slobodian&amp;rsquo;s application of Laura Mulvey&amp;rsquo;s gaze theory, Dominic Russel&amp;rsquo;s analysis of Martel&amp;rsquo;s audio, and Deborah Martin&amp;rsquo;s political readings of the films, I argue that Martel&amp;rsquo;s consistent displacement of violence into the auditory space — what she hears rather than what she shows — constitutes a distinctly feminist intervention in a tradition that has historically privileged intellectual mastery and visual style.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Ticha Project Digital Archive &amp; Blog</title>
      <link>https://clarafee.com/portfolio/portfolio/ticha-project-digital-archive-blog/</link>
      <pubDate>Sun, 03 Aug 2025 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/ticha-project-digital-archive-blog/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;A digital humanities web project preserving colonial-era texts in Zapotec, an Indigenous Mexican language. As a Digital Humanities &amp;amp; Web Design Intern at Haverford College Digital Scholarship, I developed a new WordPress website for the Ticha Project to improve user experience and content management. I collaborated with history scholars, linguists, Indigenous community members, and digital humanities librarians throughout the design process, applying accessibility standards and UX principles at each stage.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Chromagotchi</title>
      <link>https://clarafee.com/portfolio/portfolio/chromagotchi/</link>
      <pubDate>Wed, 01 May 2024 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/chromagotchi/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;Chromagotchi is a Chrome extension that gamifies mindful browsing. It gives you a customizable Tamagotchi-style virtual pet whose health rises when you spend time on tabs you&amp;rsquo;ve marked as important, and falls when you open distracting ones. Built collaboratively with three teammates for CIS 3500 Software Engineering at the University of Pennsylvania.&lt;/p&gt;
&lt;h2 id=&#34;timeline-and-scope&#34;&gt;Timeline and scope&lt;/h2&gt;
&lt;p&gt;Spring 2024. Designed, built, and shipped as a full group project over one semester, including a public landing page with dev blog posts and a demo video.&lt;/p&gt;</description>
    </item>
    <item>
      <title>WHRC Radio Website</title>
      <link>https://clarafee.com/portfolio/portfolio/whrc-radio-website/</link>
      <pubDate>Mon, 25 Mar 2024 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/whrc-radio-website/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;As Station Manager of WHRC Radio Club at Bryn Mawr and Haverford Colleges, I designed and built the station&amp;rsquo;s public-facing website from the ground up — my first web design project. I worked with the club founders to implement a user-friendly interface aimed at building listenership and encouraging new members to join. Over four years, I maintained and updated the site, including coverage of events like WHRC&amp;rsquo;s 100th anniversary.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Quadtree Image Processing</title>
      <link>https://clarafee.com/portfolio/portfolio/quadtree-image-processing/</link>
      <pubDate>Thu, 01 Dec 2022 00:00:00 +0000</pubDate>
      <guid>https://clarafee.com/portfolio/portfolio/quadtree-image-processing/</guid>
      <description>&lt;h2 id=&#34;about&#34;&gt;About&lt;/h2&gt;
&lt;p&gt;A command-line image processing tool built in Java using a quadtree data structure. Supports compression at configurable thresholds, edge detection, quadtree outline visualization, color inversion, and shading. My first substantial solo programming project, built freshman year.&lt;/p&gt;
&lt;h2 id=&#34;timeline-and-scope&#34;&gt;Timeline and scope&lt;/h2&gt;
&lt;p&gt;Fall 2022. Solo project for an introductory CS course at Bryn Mawr College.&lt;/p&gt;
&lt;h2 id=&#34;skills-and-technologies&#34;&gt;Skills and technologies&lt;/h2&gt;
&lt;p&gt;Java, quadtree data structures, PPM image format parsing, recursive algorithms&lt;/p&gt;
&lt;h2 id=&#34;link&#34;&gt;Link&lt;/h2&gt;
&lt;p&gt;&lt;a href=&#34;https://github.com/claraxfee/quadtree-imageprocessing&#34;&gt;GitHub&lt;/a&gt;&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
